Putting my own, initially incorrect approach to reading this book aside, if you are looking for a deep, highly detailed dive into the formation of Tolkien’s Middle-Earth, then this is it. The Return of the Shadow brings you to the very first drafts of The Lord of the Rings – to a world where the familiar foursome of hobbits that are the stars of the trilogy are not Frodo, Sam, Merry, and Pippin. Instead, the reader is treated to Faramond, Frodo, Merry, Odo, Folco, and a host of other hobbits that never made their way into starring roles in the final trilogy. The Return of the Shadow also takes its readers into the thought process behind Tolkien’s creation of iconic characters like Treebeard and Strider. Would you believe that in their first incarnations these well-known players in The Lord of the Rings were much different? For example, in Tolkien’s first draft, Treebeard was working in the service of Sauron. And Strider? He began as the hobbit Peregrin! And these characters are set in a Middle-Earth that includes a forgotten elvish land named Hollin, a Rohan that is still filled with horse lords – but whom are also working in the service of Sauron, and where Gondor is known as Ond.

As fascinating as this early version of Middle-Earth may sound, there are some aspects of The Return of the Shadow that were a bit much for this reader. For example, in his writing and analysis of his father’s work, Christopher Tolkien often repeats words and phrases regarding the story that become more and more laborious as you go along. Also, in some cases he beats a dead horse to the point of absurdity. At one point at the beginning of the third phase of this book, Christopher Tolkien revealed that Odo was no longer going to be part of traveling group and that he would be replaced by Frodo. However, he repeats this revelation three or four times within two or three pages. For someone who gets the point the first time, you do not need to have the same information repeated to you several more times within the span of a few pages.

All things considered, I am glad to have read The Return of the Shadow. While it is an incredibly dense book and while it sometimes dives too deeply for my liking, it is truly a novel that captures the impressive scope and wide-ranging depth of not just Tolkien’s Middle-Earth, but the variety of fascinating characters that live within it. If there is a Lord of the Rings fan in your house or in your family and you want to get them a book that they can get lost in for hours, then this book would make the perfect gift.

Anyway, just like there are certain posts that I hold in the draft folder for an extended period of time, there are also concepts and ideas for other writing-based “stuff” that I keep in my mental draft folder for an extended period of time. I think I’m going to start posting some of that content on this blog as a way to get it out there and see if it piques any interest in my readers. I’m going to call this unplanned, sporadic series of entries “The Unfinished Tales” (and yes, this is a direct ripoff of J.R.R. Tolkien’s Unfinished Tales).

In advance of putting together this, the first of hopefully many Unfinished Tales entries, I’d like to note that there is a lot of stuff floating around my mental draft folder. For example, I might post a portion of a middle chapter of a book that I’d like to write at some point or I might write the beginning of a dialogue for a short story or a screenplay. There are a lot of thoughts that pass through my head when I’m in a creative mood. I guess we’ll find out if any of this stuff is actually worth anything… so here we go!

This is an opening dialogue either to a short story, short film, or a play. I’m thinking of turning it into a short story, but who knows. Here we go:

Gilbert: If you could just shut your hole for five minutes I might be able to collect myself and get some shut eye.

Ben: Why should I be quiet? You don’t deserve a good night’s sleep! HA HA HA!!!

Gilbert: SHUT UP! What gives with you, man? I’m exhausted, I can’t focus, I can’t think straight – and yet you insist on running your mouth. Enough!

Ben: I’ll never be quiet. You don’t deserve calmness. You don’t deserve relaxation.

Gilbert: And who the fuck are you to make that decision? You’re a miserable bastard who can’t see past his own self-loathing to let the light of life shine in and brighten your day. You’re a horrible, pathetic miser.

Ben: HA! You dare talk to me like that? Do you forg-

Gilbert: That’s right I dare talk to you like that! You never stop your complaining. You’re constantly going on and on about bullshit that doesn’t even exist. You’re a scumbag and you only exist to aggravate and annoy. I know your fucking game so stop the crap, let it go, and give me some peace.

Ben: No.

Gilbert: Why not? Why must you be such a thorn in my side?

Ben: Because I know.

Gilbert: You know what? You don’t know shit except how to be a miserable fuck. Screw off.

Ben: I know what you did. I know all of it.

Gilbert: You don’t know shit. You don’t even know what you’re talking about.

Ben: Do you forget? Do you forget that I was there with you?!

Gilbert: *Looks down; attitude switches to a more solemn mood.* Shut up.

Ben: That’s better. Don’t forget what I know.

Gilbert: But why must you constantly harass me with history? What do those memories have to do with getting some rest right now?

Ben: Do you acknowledge that past?

Gilbert: What?

Ben: The past! Do you acknowledge that it exists?!

Gilbert: Well, what the fuck do you want me to do? I know what you’re talking about, but I don’t let it weigh me down. I can’t change the past, but I can chart a better course for the future!

Ben: Don’t give me your bullshit! I know everything you’ve done and you should be the miserable one! YOU did this!

Gilbert: I didn’t – I didn’t do a… ugh… Just leave me alone.

Ben: *Stares even more intensely at Gilbert.* You did this.

Gilbert: Please… let’s just end it for today. I can’t think straight any more.

Ben: You did this…

Gilbert: …I know.

[ Change scene to Mark laying in his bed. A clock on the nightstand reads 3:12am. He is exhausted and alone and his sheets are tossed and turned. ]

Mark: No more thoughts tonight. Please God! No more… I just want to get some sleep.

I’ve been thinking of ways to operationalize different versions of this dialogue for a while now. I really think that it would work best as a short story about a character named Mark who wrestles with his inner conscience about his past. Granted, above certainly reads like a script for a play or a short film, but I think there could be something here if there was a strong narrative built around the short story format. I’ve been working on that format for some time now, so if I ever get this short story finished – be on the lookout because I’ll post details here first!

As I wrote in my last review, reading Wizard’s First Rule made me realize that there is more to the fantasy genre of writing than just the masterpieces created by J.R.R. Tolkien. It’s a good feeling to know that there is more quality books for you to read in a genre that you enjoy and it’s good to know that there are series of books that follow a particular story through the years. That was one of the many factors that initially attracted me to Wizard’s First Rule and one of the many factors that made reading Stone of Tears so enjoyable. In other words, unlike a movie that ends after two hours and leaves you contemplating what might happen next for each of the characters, Stone of Tears gives the reader a very detailed accounting of what happens to each of the main characters in Wizard’s First Rule and – most importantly – begins the next phase of Richard Rahl’s journey.

The book starts innocuously enough with life reawakening after the defeat of Darken Rahl at the People’s Palace in D’Hara. However, with one of the Boxes of Orden (magic boxes that if the right one is opened up, the person who opens it can rule the world) still open, Zedd and Chase are unsure what to do. In a matter of a few pages, the action begins again as something called a screeling pops out of the box and begins attacking Zedd (an extremely powerful, good wizard) and Chase (a big, hulking warrior type). Zedd ultimately figures out that to defeat this screeling (a beast from the underworld that laughs whenever it’s attacked or injured) one needs to freeze it in water and then hack it to pieces.

Pleasant.

And the action continues from there as the story progresses with Richard and Kahlan Amnell (a woman with the power to make people tell the truth simply by touching them) leave the People’s Palace before the attack takes place and go straight to the Mud People (an independent, tribal group of people who live unburdened by the laws of the land). It is at the land of the Mud People where the real story of Stone of Tears begins to take shape.

Richard is a wizard, but doesn’t want to admit it to himself. Part of the magic “gift” is being struck down by headaches from time to time. Richard gets hurt by these headaches because he doesn’t know how to control the magic within him. During his stay with the Mud People, three women called Sisters of the Light visit him and offer him help to control the painful headaches. There’s a catch, though. The catch is that he’d have to wear a collar to control the headaches. Given some of the torture that Richard endured in Wizard’s First Rule while he was collared, the reader believes that it is unlikely that he will ever commit to wearing a collar again.

And that’s how the story progresses. The headaches get worse, the sisters come back and offer their help, Richard refuses, and the headaches continue. However, remember that there are only three sisters that are visiting him. One of the rules of the game that the sisters are playing is that each time one of them is rejecting by Richard, they must forfeit their lives. So after the second rejection there is just one sister left.

While Richard is rejecting help from these sisters, he begins dabbing in the spirit world again and unintentionally summons up the spirit of his now-dead biological father – Darken Rahl. Darken Rahl, while no longer having a physical form to occupy, tells Richard the same thing that he told Zedd in the first book – that he is an agent of The Keeper. Oh, and if I haven’t explained it already, The Keeper is the term that is used for the entity that is, essentially, the devil in this series. The Creater is the term used for God.

Another spirit eventually visits the world of the living as the woman who tortured Richard in the first book (but was eventually forgiven) tells Kahlan (who Richard is madly in love with and on the verge of marrying) that she must force Richard to wear the collar to control his magic or he’ll die. Seems like a pretty tough situation for Kahlan, huh? Either you support the person that you love and his phobia of wearing a collar that will remove his control of his life or you lead that person to do something that he is deathly afraid of and, in the process, likely push him away from you for good while saving his life. What’s the Mother Confessor (Kahlan’s formal title) to do?

Well, she ultimately forces Richard to put on the collar and it does save his life by removing the headaches. It also rips Richard from her and begins the fraying of the stories of the cast of characters in Stone of Tears. By fraying of the stories I mean that there are a variety of different tracks that begin around this time in Stone of Tears and it would be hard to cover each of them. So I’m only going to comment on one or two more items about this novel and then move on.

The first thing that I liked about this novel is that it expands the world of the Sword of Truth series. We are introduced to the Old World which is separate from the three lands that are covered in the first novel. Along with the Old World, the reader is also introduced to a little bit of history of the land by learning about a major wizards’ war that took place three thousand years ago. Those additions to the series really make this book worth picking up and reading.

Related to this first point is the deepening of each of the characters. Take Kahlan for example – she spends most of her time in the first novel as a stoic woman who is nearly unshakeable until the end of the novel where she begins to fall in love with Richard. In the second book, the reader learns of Kahlan’s devotion to her people when she finds a band of 5,000 young soldiers who are trying to seek revenge against an armed host of 50,000 men devoted to something called the Imperial Order (more on that in the book). Though Kahlan rails against these young men for thinking that they can successfully attack and halt the Imperial Order troops, Goodkind goes to great lengths to explain how Kahlan feels for them. He then goes to an equally great length to describe how she trains these men to become skilled killers and warriors. We find out later in the novel that the young men are successful in defeating every last one of the 50,000 troops, though they lose some 80% of their own force over the course of the fight.

And that’s just the deepening development of one character!

The second thing that I liked about Stone of Tears is that Goodkind doesn’t mind providing some good social commentary within the story. Namely, towards the latter half of the novel Goodkind directly attacks socialism and communism as a failed way to lead any group of people. More specifically, Goodkind uses a 1,000 year old wizard (oddly enough, he’s related to Richard) to explain what is known as the wizard’s second rule: The greatest harm can result from the best intentions. Goodkind then weaves that rule into a commentary about the people who live in a city called Aydindril and, to a larger degree, through the Midlands (a land ruled by Kahlan). He notes that the people believe the lies of the Imperial Order because they promise the people a share of the money found in Aydindril (i.e. income redistribution in today’s political terms). Ultimately, the people of the Midlands choose to have Kahlan decapitated (although she’s not really killed and, instead, escapes) because of their greed and lust to have a share of the treasury (which they never get anyway).

I liked that social commentary and Goodkind does a much better job of describing it than I did in the paragraph above!

If you’re a reader of science fiction or fantasy novels, then I think you’ll enjoy Stone of Tears. I hesitate to say that you can easily read this novel even if you haven’t already read Wizard’s First Rule, though. While Goodkind does provide some very brief summations of each character in the early parts of Stone of Tears, as a reader you won’t really be able to get a firm grasp on what’s going on in this fantasy world unless you read the first book.

On a final note – this series is beginning to get very complex and a bit large to cover in these rather simple NOOK book reviews. Due to that fact, I don’t think that I’ll be providing many more NOOK book reviews for the Sword of Truth series. In all likelihood, I’ll probably provide a tweet here and there on my twitter feed (@JVince81) each time I finish a book or have some additional commentary about the series. So, if you haven’t already please be sure to follow me at @JVince81 to get the latest updates on my thoughts surrounding the Sword of Truth series. Oh, and for what it’s worth I’ve already completed the third book in this series and started reading the fourth book so I’ll definitely have some additional commentary in the coming days and weeks!

I found Stone of Tears to be a very enjoyable read and a journey of self-discovery for Richard, Kahlan, and all of the Midlands. The introduction of the Sisters of the Light and the Sisters of the Dark bring an interesting plot development to the story and create an incredible amount of “what if” scenarios for the reader to ponder. In the end, I think that Stone of Tears does justice to Wizard’s First Rule and joins the first book in setting a firm base for the future of the Sword of Truth series. I recommend going out and getting a copy or downloading a copy of Stone of Tears on your NOOK. Enjoy!

The A Song of Ice and Fire series failed in every way possible from basic storytelling to failure to generate a compelling plot to an inability to provide a riveting action/adventure storyline. The series failed in making characters that the reader could emotionally invest in and actually care about (which, again, doesn’t really matter since I know now that everything in the hundreds and hundreds of pages in the first few books is useless). The A Song of Ice and Fire series failed to make this avid reader want to read more from the series or this writer.

And yet, those are all of the areas where Terry Goodkind’s Wizard’s First Rule excelled.

Wizard’s First Rule is the first book in Goodkind’s The Sword of Truth series – and it’s awesome! I’ve always heard of Goodkind as a popular fantasy author, but I never really gave him the time of day. As a J. R. R. Tolkien fanatic, I tend to group every fantasy writer from the last fifty or sixty years into a “wannabe” group. Admittedly, that’s a bad point of view to have regarding contemporary fantasy writers, but that’s what makes me a fanatic for Tolkien. So when I first read positive reviews of Goodkind’s work a few years ago I immediately wrote him off as another Tolkien wannabe.

Now, after having read Wizard’s First Rule, I know that it was a bad decision on my part to assume that Goodkind’s work wasn’t worth the time. This book was great!

In a weird way, I’m actually glad that my disgust for Martin led me to Goodkind. Since I wanted to see what Goodkind had to offer, I decided to download Wizard’s First Rule, which happens to be the first book that he ever wrote. After some research I learned that this book is the first book in a ten book series (the aforementioned The Sword of Truth series) that follows the adventures of the main character – Richard Cypher – and his companions Kahlan Amnell and Zeddicus Zu’l Zorander. In Wizard’s First Rule, Richard fights against a powerful wizard named Darken Rahl. The story follows Richard from his beginnings as a woods guide (someone who helps you traverse a landscape by showing you how to navigate through the forest) through his progression to what is known as the “Seeker.”

As the Seeker, Richard is tasked with finding and defending the truth. It’s a task that is somewhat shared by Kahlan, who holds the position of Mother Confessor. The Mother Confessor is the most powerful of the confessors – people who can use their power (magic) to make people tell them the truth. There’s a lot more to the whole confessor thing than just that, but you can read all of the details in the book.

There are a lot of twists and turns in this book, but one thing that stands out to me after having finished the book a few weeks ago is that I can remember a whole heck of a lot of the story. I remember Richard and Kahlan interacting with the Mud People, I remember the stories of Chase and Adie (among other characters) and the descriptions provided for the different locations around the landscape. Goodkind’s writing does that – it grips your interest and creates a really powerful image for you to latch on to and, essentially, feel the story.

However, I do have a bit of criticism for Goodkind’s Wizard’s First Rule. Now don’t get me wrong – I enjoyed Goodkind’s writing style. However, it appeared that some of the emotion-based writing was hyperbolic to the extreme. In other words, it seemed like every time Richard encountered a new emotional experience it was the most extreme feeling of that experience that he had ever felt or would ever feel again. For example, his interactions with Denna the Mord Sith (a woman whose job was to bring days, weeks, months of endless pain to her captives) brought him the most physical pain ever while the thought of losing Kahlan makes him feel the greatest feeling of despair that he could ever feel. Hopefully, that style of exaggeration diminishes in the future novels in The Sword of Truth series because if it doesn’t, then that would be the worst thing ever!

If you don’t understand what hyperbole means in literature, then the really lame literary joke that I made in the last sentence probably didn’t make any sense. No worries. Moving along now!

Granted, even though I’m a Tolkien maniac I did notice the influence that certain elements of the Lord of the Rings had on Wizard’s First Rule. For example, in the Lord of the Rings series you have the deformed former hobbit Gollum who is twisted and deranged by the power of Sauron’s one ring. Well, in Wizard’s First Rule you have Samuel – a former man who was the Seeker and wielded the fabled Sword of Truth that Richard now holds. His lust for the Sword of Truth deforms him into a very Gollum-like creature who is constantly saying that sword belongs to him. Gollum and Samuel are very, very similar and I hope that Samuel being modeled off of Gollum is more or less a tribute to Tolkien and not something that the author would argue was organically created in this story.

Before I wrap this up I thought I’d provide another comparison. A Game of Thrones was 733 NOOK book pages while Wizard’s First Rule was 681 NOOK book pages. The difference between the two isn’t just the 52 additional NOOK book pages. The difference is that those 681 pages of Wizard’s First Rule are packed with storytelling, drama, intrigue, mystery, exciting people and lands, treachery, despair, triumph, etc. Meanwhile, those 733 pages in A Game of Thrones is packed with – well, ultimately useless words – lots of words that evoke little-to-no emotion and tell little-to-no lasting, meaningful story. It’s 733 pages of wasted time.

Reading Wizard’s First Rule sold me on two things:

First and probably most importantly, I’ve become a fan of Terry Goodkind. The man can write a fantasy novel! Here’s hoping that the intelligent fun and excitement of Wizard’s First Rule carries through to the rest of the series. Oh, and in the interest of full disclosure, I’ve already completed the second book in the Sword of Truth series though I plan to delay diving too far into the third book as I finish up some Bible readings that I started a few months ago.

Second, as a reader who is reluctant to change I’m beginning to understand that there is a vast fantasy and science fiction world out there besides the master of the genre, J. R. R. Tolkien. And that may not be as immediately important of a learning point as becoming a fan of Goodkind, but if I can manage to put my Tolkien mania aside again (after finishing the Sword of Truth series, that is), then the sky really is the limit in how many books in this genre that I might find interesting.

In short, if you’re looking for a good fantasy book to read, then I suggest picking up (or downloading onto your NOOK) a copy of Wizard’s First Rule. This is what a fantasy book should be!

So with the thought in my mind that this was a New York Times bestseller, a hit series on HBO, and a fantasy story that was gaining momentum in pop culture I got myself the NOOK Book version of A Game of Thrones. For reference, the NOOK Book version of the novel has 753 pages, some 733 of which are the actual story versus the final 20 NOOK Book pages which are an appendix listing the relationships of the different characters in the story.

I’m not sure how deep into detail I want to get with respect to the story itself, but there are a few major, overarching points that I want to make about this book.

First, A Game of Thrones does not read like a fantasy or science fiction story except in certain places. Other than the opening prologue, the reader has to wait hundreds (literally, hundreds) of pages before any event occurs that is actually supernatural in its nature. Further, the reader isn’t treated to a second supernatural, fantastical event until the very last page or two of the book. And even at that, after the reader gets through 733 pages of this “fantasy” novel the fantastical event at the end of the novel is good, but not enough in this reader’s mind.

Second, this is a long book. A really long book. As a reader, I enjoy long books because they give me a chance to get wrapped up in a story and really try to understand the perspectives of the characters, why they do what they do, what larger issues are being commented on by the story/author, etc. I didn’t get much of that from A Game of Thrones and, frankly, the lack of both character depth and progressive character development for the majority of these 733 pages is alarming. Based just upon the character depth and development alone, I’m shocked that A Game of Thrones made its way to the #1 spot on the New York Times bestseller list. Shocked.

Third, while I eventually began to accept what A Game of Thrones had to offer, I can’t really say that I enjoyed reading the book. Don’t misunderstand – I didn’t loathe reading the book. If I hated A Game of Thrones I would have just stopped reading it and went on to the next book in my unread stack. There’s something in this story… there’s something there that made me – as a fan of fantasy and science fiction writing – want to see the superiority and depth of this story and its characters. But I just couldn’t get myself into it that deeply.

The story of the Stark family ruling at Winterfell, being split up, and ultimately having the head of the family decimated in King’s Landing after King Robert dies is certainly a good story. But the reasons behind the various actions that lead to the end of the novel are not that deep. Look, the Lannisters are scumbags and they do whatever they want to do without regarding for right or wrong. They put an inbred young king on the throne who doesn’t even know that his father is actually his uncle and I guess that there is supposed to be more of a gripping story than appears to the naked eye there, but I didn’t see it. However, a more compelling story for this reader was that of Dany and her brother Viserys and their interactions with the Dothraki. And yet even in that story, Martin (seemingly randomly) chooses to kill off one of the most interesting characters in the novel, Khal Drogo, to reach the storyline progression that is achieved at the end of A Game of Thrones. It just seemed to me that in terms of storytelling, Drogo could have made it a little bit further in the story.

There are a variety of lesser stories interwoven throughout the novel that also have potential, such as the stories regarding the Mormont family, the different characters and their interactions in the Night’s Watch, the Others beyond the Wall, etc. But Martin doesn’t really get into those stories too much. One would think that with 733 pages of story, he could dive into one of those sub-stories and really give it some color. The again, if he chose not to give a depth of color to the main characters, I guess it would seem silly to do that with the minor ones instead.

I know this NOOK Book review seems more like I’m complaining than anything else, but I just can’t figure out what my exact gripe is with A Game of Thrones. My gripe is not that the story is mostly sluggish or mostly boring – I can imagine many folks enjoying this read. And my gripe also doesn’t have to do with the extremely repetitive words and phrases that Martin uses throughout the novel (if I read that a character ate something “to break his/her fast” again or that a warrior was robed in armor that looked like “a lobster,” I’m going to punch someone).

In general, I think my problem with A Game of Thrones is that it really does take hundreds of pages for Martin to reveal a plot point that any astute reader had probably already discovered and processed the moment that the plot point was hinted at… hundreds of pages earlier. In addition, while Martin’s writing style isn’t necessarily bad, his narration style leaves a lot to be desired. A Game of Thrones does not benefit by the way Martin jumps from one part of the story to the next (very similar to the way the Lord of the Rings movies follows the progression of the story). Aside from being distracting to the discerning reader, jumping from one scene to a completely different one reveals another one of my gripes with this story – it seems to have almost been written in a format that would make it easily adaptable to television.

After 733 pages of NOOK Book reading, I can’t quite put my finger on the element of the book that makes A Game of Thrones a hit show on HBO. However, there is little doubt in my mind that this story was written – at least in part – from a desire to see the characters come to life on film or television and that is what is at the core of what bothers me. When you read a book like Tarzan or a book like The Hobbit or a series like The Lord of The Rings, you aren’t reading about characters who were created to eventually be placed on the big screen. Go back and read a book like Treasure Island or Robinson Crusoe and tell me if you think that the characters in those books were written with the express purpose of eventually making a video game or television series based off of the characters. The answer is clearly no (and not just because those mediums of entertainment didn’t exist when the books were published). These books were written to tell a compelling story and let’s be honest – content is king.

The reason why The Lord of the Rings has stood the test of time is because J.R.R. Tolkien created a story with characters that are so deep and with such a rich back story that a fan of fantasy novels can get lost in his legendarium and never cease to be amazed at a new discovery that informs the core story of good versus evil. It’s that content that made Tolkien a master of his craft. And in truth, it’s that lack of content – the lack of any compelling, overarching reason as to why events are happening – that brings down A Game of Thrones for this reader. I understand that there are other books in this series. However, I have to ask the question – if a deeper, compelling story isn’t revealed after 733 NOOK Book pages of reading, then what else is there? Could Martin have made the next books in this series any less substantive, any less dramatic, any more unnecessarily graphic, or any more frustrating to read than A Game of Thrones? I have access to the next book in this series, but I’m unsure if I’m going to read it yet. I might give the first chapter a try just to see what’s doing.

For those of you out there who are looking for something different to read – A Game of Thrones is definitely different. However, if you’re looking for a good science fiction series or a fantasy series with a deep, compelling story to get into, then I don’t think that A Game of Thrones is for you. The story isn’t quite science fiction nor is it quite fantasy except in very few, very brief instances in its 733 pages. And for a science fiction or fantasy fan, that’s just not enough. The book is long – that’s for sure. But length aside, A Game of Thrones is a case where quantity does not equal quality.

So do we call these things "Classic NOOKs" now?

Instead, I wanted to use this brief entry to talk about my experience using the NOOK Color to read The Hobbit. You see, The Hobbit was the first book that I purchased on the NOOK Color and the first book that I read from start to finish on the device. And, overall, I have to say that it was a pretty good experience.

There were two features that stood out to me in particular while reading The Hobbit. Here is a brief discussion of those features from my point of view.

Ease of Holding the Device. Look, I’m a book reader. I love reading books. Even when I was a little kid I loved reading books. And, as a long-time avid book reader, I love the entire book reading experience. If you’re a fellow avid book reader, then you know what I’m talking about – the experience of holding a book in your hand and having the thickness of pages in your right hand diminish as the thickness of pages in your left hand increase. You rush towards the end of the book and flip ahead to see how many pages are left and wonder how the author will get to his point before the book is over.

It’s the sensation – the experience – of reading a book that an avid book reader comes to love. Well, with the NOOK Color, you get a different experience, but not an all together bad one.

While there aren’t any pages to flip, the NOOK Color is easy to hold. It sits in your hand comfortably and isn’t too heavy. Plus, all you have to do is touch one side of the screen to flip forward or backward. While this takes away from the traditional experience of reading a book, it does allow the reader to get into a groove with flicking his or her finger to move to the next page. Getting into a groove like that ultimately allowed this reader to get very comfortable reading The Hobbit while laying in bed and not having to move too much to keep the story moving.

Features and Options to Enhance Reading. Not only does the NOOK Color allow the reader to change the layout of the text on each page of the e-book, but after a recent software update you can now change the color of the page, too. I found that this feature came in handy when I wanted to read a portion of The Hobbit before going to bed. Instead of having to keep the lights on in the bedroom, I could turn off the lights and lay in bed and still read comfortably after changing the brightness settings of the screen and changing the color of the page from white to grey. The darker tones made it easier on my eyes before I went to bed – a very nice feature indeed.

One other item that I feel compelled to bring up even though it didn’t directly impact my reading experience is the recent software upgrade for the NOOK Color. You may have read about this software update which essentially turned the NOOK Color into a high-powered, Google Android tablet. Well, I can vouch for how cool of an Android tablet the NOOK Color has become. It has its own app store (though it desperately needs more apps to choose from) as well as built-in e-mail support and a pretty efficient web browser.

Overall, I really enjoyed my reading experience with the NOOK Color. The e-reader sat comfortably in my hand and the ability to change the view, brightness, and color of the pages made the reading experience comfortable for my eyes. If you haven’t tried the NOOK Color yet, then I suggest you head over to your local Barnes & Noble store and try one of the devices that they have on display. It really is that damn good.

Give it a shot – I think you’ll really enjoy the NOOK Color!

Though the most popular of these works was the Lords of the Rings trilogy and Bilbo Baggins’ tale in The Hobbit, the elder Tolkien also began writing other stories concerning the peoples and histories of Middle-Earth. Some of these stories have been published as The Silmarillion while others were either in The Book of Lost Tales or Unfinished Stories. As these books entered into circulation, Tolkien fans always craved more and fuller stories. Thanks to the hard work of Christopher Tolkien, The Children of Hurin is the first new Tolkien story published since his death.

To be clear, this is a complete, 259-page story and not a lost tale or unfinished item. Christopher does a great job of telling the reader how he was able to put together the new story from his father’s notes and letters, so you can read that when you purchase the book. I, for one, was pleased with the story in the book. Before reading it, one has to understand that this is a book that was, in fact, pieced together by notes and large swatches of unfinished parts of the tale. Christopher does a masterful job of putting together a full flowing story from these materials.

Hurin, one of the great heroes of men, is essentially captured by the Dark Lord and forced to watch the destruction of his family from on top of the his fortress. The title of the book refers mainly to Turin, who is Hurin’s son, and his rise from a boy to a fierce and intelligent warrior. Nienor, Hurin’s daughter, also plays a very important dually motivated role in the book as her fate is intertwined with her brother. As the Dark Lord put Hurin on top of his fortress, he cursed his entire family – a curse which is easy to see throughout the entire book and comes to an emotional end in the last paragraph or two of the story.

The writing style isn’t easily critiqued given that Tolkien did not have a chance to proofread his manuscript before putting it out for mass consumption. However, the story does flow and there are few, if any, breaks in the storyline. One thing that the reader should be ready for is the speaking style of the characters. Many of the characters speak in a foretelling tone and what they predict generally comes true. So as you read, you’re finding out what will happen in the next paragraph or the next chapter throughout the entire book. It’s not really a distraction if you’re a Tolkien fan, but it may take some getting used to for new readers.

I obviously give this book my highest recommendation. Not only am I a Tolkien fan, but I am one of the fans who have been craving something more since I finished reading the Lord of the Rings (a trilogy which I usually read annually). So, if you’re looking for a good read regarding the early history of Middle-Earth, the The Children of Hurin is for you.